operas

Wolfgang Amadeus Mozart (1756-1791):
Die Zauberflöte

5099996679326
Opera in two acts
arias and ensembles only
Libretto: Emanuel Schikaneder
Tamino NICOLAI GEDDA
Pamina GUNDULA JANOWITZ
Papageno WALTER BERRY
Queen of the Night LUCIA POPP
Sarastro GOTTLOB FRICK
Speaker FRANZ CRASS
First Lady ELISABETH SCHWARZKOPF
Second Lady CHRISTA LUDWIG
Third Lady MARGA HÖFFGEN
Papagena RUTH-MARGRET PTZ
Monostatos GERHARD UNGER
First Armed Man KARL LIEBL
Second Armed Man FRANZ CRASS
First Priest GERHARD UNGER
Second Priest FRANZ CRASS
First Boy AGNES GIEBEL
Second Boy ANNA REYNOLDS
Third Boy JOSEPHINE VEASEY
Philharmonia Chorus
Chorus master: Wilhelm Pitz

Philharmonia Orchestra

Otto Klemperer
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Introduction

Otto Klemperer brings his special wisdom and nobility to Mozart's allegorical Singspiel. The young lovers are exquisitely cast with Gundula Janowitz and Nicolai Gedda and Lucia Popp reigns brilliantly as the Queen of Night.


Synopsis

An idiosyncratic blend of naivety and sophistication, slapstick and the sublime, Die Zauberflöte (The Magic Flute) is one of Mozart’s last works, first performed in Vienna in the year of his death, 1791. Rather than a formal opera it is a Singspiel, with both musical numbers and dialogue.

In a setting inspired by Ancient Egypt it tells an apparently simple, but sometimes puzzling story, with symbolism and philosophy borrowed from Freemasonry and the Enlightenment, and knockabout comedy from popular theatre. A young prince, Tamino is sent by the apparently benign Queen of the Night to rescue her daughter, Pamina, from the High Priest Sarastro. Tamino is protected by the gift of a magic flute and accompanied by Papageno, a comic bird-catcher who is in search of a mate.

The overture, both solemn and animated, sets the scene for the music that follows. This includes Tamino’s soaring aria on seeing a portrait of Pamina, Papageno’s whimsical song of introduction, Sarastro’s dignified pronouncements, the Queen of the Night’s coloratura fireworks, the lovely duet ‘Bei Männern’, sung by Papageno and Pamina, and Pamina’s tragically tinged aria when she believes herself spurned by Tamino, sworn to silence as part of a trial of his fortitude.


Compact Disc 1 63.20

1 Overture 7.17
(Orchestra)

ACT ONE
2 Zu Hilfe! Zu Hilfe! 6.54
(Tamino/Ladies)
3 Der Vogelfänger bin ich ja 2.41
(Papageno)
4 Dies Bildnis ist bezaubernd schön 4.11
(Tamino)
5 O zittre nicht, mein lieber Sohn! 5.08
(Queen)
6 Hm! hm! hm! hm! 6.44
(Papageno/Tamino/Damen)
7 Du feines Täubchen, nur herein! 1.55
(Monostatos/Pamina/Papageno)
8 Bei Männern, welche Liebe fühlen 3.34
(Pamina/Papageno)
9 Zum Ziele führt dich diese Bahn 10.05
(Boys/Tamino/Voice/Speaker/Voices
10 Wie stark ist nicht dein Zauberton 2.54
(Tamino)
11 Schnelle Füße, rascher Mut 2.35
(Pamina/Papageno/Monostatos/Slaves)
12 Könnte jeder brave Mann 0.40
(Pamina/Papageno)
13 Es lebe Sarastro! 5.05
(Retinue/Papageno/Pamina/Sarastro)
14 Nun, stolzer Jüngling; nur hierher! 3.33
(Monostatos/Pamina/Tamino/Retinue/Sarastro)

Compact Disc 2 70.34

ACT TWO
1 Marsch der Priester/March of the Priests/Marche des Prêtres 4.08
(Orchestra
2 O Isis und Osiris 3.17
(Sarastro/Priests)
3 Bewahret euch vor Weibertücken 1.10
(Two Priests)
4 Wie? wie? wie? 3.25
(Ladies/Papageno/Tamino/Initiates)
5 Alles fühlt der Liebe Freuden 1.23
(Monostatos)
6 Der Hölle Rache kocht in meinem Herzen 3.12
(Queen)
7 In diesen heil’gen Hallen 4.49
(Sarastro)
8 Seid uns zum zweiten Mal willkommen 1.55
(Boys)
9 Ach, ich fühl’s 4.08
(Pamina)
10 O Isis und Osiris 3.12
(Priests)
11 Soll ich dich, Teurer 3.16
(Pamina/Sarastro/Tamino)
12 Ein Mädchen oder Weibchen 4.19
(Papageno)
13 Bald prangt, den Morgen zu verkünden 6.22
(Boys/Pamina)
14 Der, welcher wandelt diese Straße voll Beschwerden 5.14
15 Tamino mein! O welch ein Glück! 6.59
(Two Armed Men/Tamino/Pamina/Retinue/Priests)
16 Papagena! 5.36
(Papageno/Boys)
17 Pa--pa-ge-na! ... Pa-pa-ge-no! 2.49
(Papageno/Papagena)
18 Nur stille! 2.11
(Monostatos/Queen/Ladies)
19 Die Strahlen der Sonne 3.01
(Sarastro/Chorus)

 



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