operas

Igor Stravinsky (1882-1971):
Le Rossignol
Renard
Oedipus Rex

5099945650024

Le Rossignol
Lyric tale in three acts after Hans Christian Andersen
Libretto: Stravinsky & S.M. Mitusov
Nightingale NATALIE DESSAY
Cook MARIE MCLAUGHLIN
Death VIOLETA URMANA
Fisherman VSEVOLOD GRIVNOV
Emperor ALBERT SCHAGIDULLIN
Chamberlain LAURENT NAOURI
Bonze MAXIME MIKHAILOV
Japanese Envoys OLIVIER BERG, WASSYL SLIPAK, GRZEGORZ STASKIEWICZ
Soprano solo/Alto solo/Tenor solo CLAIRE SERVIAN, OLGA OUSSOVA, OLIVIER BERG
Renard
A burlesque tale in song and dance
Libretto: Igor Stravinsky
Tenors I & II IAN CALEY,
VSEVOLOD GRIVNOV
Basses I & II LAURENT NAOURI,
MAXIME MIKHAILOV
Solistes, Orchestre et Choeurs de l’Opéra National de Paris
Chorus master David Levi

James Conlon

Oedipus Rex
Opera-oratorio in two acts after Sophocles
Text by Jean Cocteau, translated into Latin by Jean Daniélou
Oedipus ANTHONY ROLFE JOHNSON
Jocasta MARJANA LIPOVSEK
Creon JOHN TOMLINSON
Tiresias ALASTAIR MILES
Shepherd JOHN MARK AINSLEY
Messenger PETER COLEMAN-WRIGHT
Narrator LAMBERT WILSON
London Philharmonic Choir
Chorus master Jeremy Jackman

London Philharmonic Orchestra

Franz Welser-Möst
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Synopsis

The eclectic and daring nature of Stravinsky’s genius is evident in these three contrasting works.
Le Rossignol is based on Hans Christian Andersen’s tale of the nightingale, portrayed by a virtuoso coloratura soprano; the bird delights the Chinese emperor, but is then replaced by a bejewelled automaton. When the Emperor falls mortally ill, the nightingale returns, charms Death and saves the Emperor’s life. The colourful score moves from the fairy-tale Romanticism of Act 1 (written in 1907) to a more modernist style for the subsequent two acts (written in 1914).
Renard, written in 1916, but not staged till 1922, is a one-act chamber work with a pulsing score which integrates elements of Russian folk music, notably the extensive use of repeated motifs and an often chant-like vocal line. Dance plays an important role in telling the story of the cunning fox who tricks a cockerel, a cat and a ram.
Dating from 1927, Oedipus Rex, both compact and monumental, is an oratorio-like work sung in Latin; a male chorus plays an important role, as does a spoken narration. It tells the classic story of Oedipus, the King of Thebes, who discovers that, unwittingly, he has killed his own father and married his own mother.


Compact Disc 1 0.00

1 Introduction 3.30

ACT ONE
2 Porté au vent, tombant au loin (Le Pêcheur/Le Rossignol) 3.35
3 Ah! Ah! Ah! (Le Pêcheur/Le Rossignol) 3.14
4 Voici l'endroit, près de ces arbres 3.12
(La Cuisinère/Lourtisans/Le Chambellan/Le Bonze)
5 Beau rossignol, incomparable oiseau 3.21
(Le Chambellan/Le Bonze/Le Rossignol/Courtisans/Le Pêcheur)

ACT TWO
6 Des feux, des feux , bien vite 2.13
(Choeur/Soprano/Ténor/Alto/La Cuisinière/Le Chambellan)
7 Marche chinoise – O maître magnanime (Le Chambellan) 3.35
8 Chanson du rossignol-Ah, joie, emplis mon coeur 4.17
(Le Rossignol/L'Empereur/Les Courtisans/Le Chambellan)
9 Ah coucher du soleil (Les Envoyés japonais) 1.19
10 Jeu du rossignol mécanique – Psst, psst 3.35
(Les Courtisans/L'Empereur/Le Chambellan/La voix du Pêcheur)

ACT THREE
11 Vois-nous rassemblés (Spectres/L'Empereur) 4.03
12 Ah, me voici, ô prince magnanime (Le Rossignol/L'Empereur) 2.24
13 Ah, j'aime à t'écouter (La Mort/Le Rossignol/L'Empereur) 5.17
14 Cortège solennel (Orchestra) 1.05
15 Bonjour à tous (L'Empereur/La Voix du Pêcheur) 1.20

16 Marche 0.58
17 Où ça, où ça? 4.40
18 Ah! mon Dieu! mon Dieu! Il me tir'par la queue 2.38
19 Je suis sur mon bâton 2.52
20 Ah! mon Dieu! mon Dieu! Il m'a pris les ch'veux 3.30
21 Ah, canaille, que les bêtes te mettent en morceaux 1.46



Compact Disc 2 50.02

Oedipus Rex
Opera-oratorio in two acts after Sophocles • Text by Jean Cocteau, translated into Latin by Jean Daniélou

Act I
1 Spectateurs… (Narrator) 0.54
2 Caedit nos pestis (Chorus) 3.21
3 Liberi, vos liberabo (Oedipus/Chorus) 3.36
4 Respondit deus (Creon) 3.05
5 Non reperias (Oedipus/Chorus) 3.40
6 Oedipe interroge la fontaine de vérité (Narrator/Chorus) 2.35
7 Dicere non possum (Tiresias/Oedipus) 2.31
8 Invidia fortunam odit (Oedipus) 2.42
9 Gloria (Chorus) 1.05

Act II
10 Gloria (Chorus) 1.00
11 La dispute des princes attire Jocaste (Narrator) 1.00
12 Nonn’ erubescite, reges (Jocasta/Chorus) 7.08
13 Ego senem cecidi (Oedipus/Jocasta/Chorus) 2.17
14 Le témoin de meurtre sort de l’ombre (Narrator/Messenger/Chorus) 2.50
15 Oportebat tacere (Shepherd) 2.11
16 Nonne monstrum (Oedipus) 1.15
17 In monte reppertus est (Shepherd/Messenger/Chorus) 1.52
18 Et maintenant, vous allez entendre (Narrator) 1.31
19 Divum Iocastae (Messenger/Chorus) 5.21

 



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